Monthly Archive for June, 2011

Image Conference, San Sebastian-–Dina Iordanova, University of St. Andrews, to speak

Dina Iordanova is the Provost of St. Leonard’s College at the University of St. Andrews and founder of the St. Andrews Centre for Film Studies and its corresponding publishing house. She will be presenting on her work in a plenary presentation at the Second International Conference on the Image, 26-27 September 2011 at the Kursaal Congress Palace in San Sebastian, Spain, held in collaboration with the San Sebastian Film Festival.

Originally from Bulgaria, and having worked later on in Canada, the US and England, Professor Iordanova’s background is in philosophy and aesthetics. She joined St. Andrews as the University’s first Chair in Film Studies in 2004 and led the start of that Department’s dramatic climb up the research league tables to the best score achieved by a department in Scotland in the 2008 Research Assessment Exercise. She is the founder of the Centre for Film Studies and the publishing house St Andrews Film Studies. After chairing the Film Studies department and serving as a Director of Research for the top performing School of Philosophical, Anthropological and Film Studies, the University asked her to serve as a Provost of the ancient St. Leonard’s college, with responsibility for doctoral students. More on Dina Iordanova…

Vibrations Invisible to the Human Eye Shot at 1,000 Frames Per Second

From PetaPixel

Vibration tester manufacturer Fluke recently published this video showing what the world of vibration looks like at 1,000 frames per second.

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Founder of Film Festival Festival Research Network to speak at The Image Conference, Spain

Marijke de Valck is co-founder of the Film Festival Research Network (FFRN) and Assistant Professor of Media Studies at the University of Amsterdam. She will be a plenary speaker at the Second International Conference on the Image, 26-27 September 2011 at the Kursaal Congress Palace in San Sebastian, Spain, held in collaboration with the San Sebastian Film Festival.

Together with Skadi Loist, Marijke founded the Film Festival Research Network (FFRN). The FFRN is a loose connection of scholars working on issues related to film festivals, and aims to make festival research more available and connect diverse aspects and interdisciplinary exchange between researchers. A subgroup of the FFRN is the Film Festival Research Network work group within the European Network for Cinema and Media Studies (NECS). Together with Skadi, Marijke compiled and published the first annotated, themed bibliography on film festival research, available online.

Marijke de Valck studied Theatre, Film and Television Studies at Utrecht University. She graduated cum laude with a thesis on transmedial storytelling in film, television and new media. More on Marijke de Valck…

Bollywood Poster Painters Face Extinction in Digital Age

From Laura Allsop and Lianne Turner, CNN

For decades, Bollywood film releases were accompanied by beautiful painted posters that decorated city streets all over India.

Heroic princesses, noble maharajahs and dastardly criminals, painted larger than life by artists and craftsmen in vivid colors, graced billboards towering often fifty feet high.

But where Mumbai, Bollywood’s home town, used to have 300 such poster painters, now there remain only a handful.

One of them is Sheikh Rehman, a poster painter for 54 years who has witnessed his trade dying out thanks to cheaper and quicker digital production.

“The business is all about speed,” he said. “It is also about money and hand-painted art doesn’t fit in because of two aspects: it takes too much time and it is way too expensive.”

New digital printers make short work of forty-foot billboards, he said, producing one in under an hour.

“That’s something that a team of artists cannot match up to,” Rehman lamented.

According to Mumbai-based Bollywood poster expert Hinesh Jethwani, “Many of our artists see the digital posters of today as equivalents of fast food and the hand-painted posters of the past as a lovely home-cooked meal by a mother.”

He extends the analogy further, likening the hand-painted poster to a love letter “written with blood, sweat and tears. It coveys raw emotion and energy to the reader whereas the digital poster is like a digitally typed letter — it is lifeless.”

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893-Yakuza

From anton kusters

893-Yakuza is a personal visual account of the life inside an inaccessible subculture: a traditional Japanese crime family that controls the streets of Kabukicho, in the heart of Tokyo, Japan.

Through many months of delicate preparations and negotiations by my brother Malik, our fixer Taka-san, and myself, we became the only westerners ever to be granted this kind of access to that closed world.

With a mix of photography, film, writing and graphic design, I try to share not only their extremely complex relationship to Japanese society, and also to show the personal struggle that each family member faces: being forced to live in two different worlds at the same time; worlds that often have conflicting morals and values… It turns out not to be a simple ‘black’ versus ‘white’ relationship, but most definitely one with many shades of grey.

Preparations started in 2008, and access was granted in april 2009, for two years. The project is now at full speed, with all elements of the story being produced as we speak. in 2011 and 2012, several magazine issues, a photo book, a documentary feature film, and a large exhibition will become reality.

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Interactive Art with Wooden Mirrors

From OUlearn



Image Journal, Volume 1, Number 2 published

image_frontThe second issue of  The International Journal of the Image has now been published.

Volume 1, Number 2 contains:

Continue reading ‘Image Journal, Volume 1, Number 2 published’

Stockholm subway, one of most beautiful of the world!

From Ego-AlterEgo

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Unexpected Passion

From Michael Henderson at The Spectator…

I belong to no tribe,’ says Alfred Brendel, taking tea at his home in Hampstead, surrounded by some of the books that constitute his vast library. ‘I follow no creed, subscribe to no ideology, and I despise nationalism. I have lived in many places but wherever I go I am a paying guest.’

If you wanted a single statement to do justice to this extraordinary man, that would do pretty well. It is the expression of a well-travelled, well-read, well-versed man in language that is by turns serious and playful. With his immense learning, worn lightly, and a highly developed sense of irony and absurdity, Brendel is every inch a central European. He may have lived in London for four of his eight decades, and be a honorary knight of the realm, but nobody has ever taken him for an Englishman.  More…

Image Journal latest papers

image_frontRecently published papers in The International Journal of the Image include: